Publications

Books:

Korean Language Edition of Film Production Theory

(Sigma Press: 2014)

The Oxford Handbook of Sound and Image in Digital Media, ed. Carol Vernalis, Amy Herzog, John Richardson

Oxford University Press: New York, December, 2013)

includes: "Angels of Light"

Hollywood: Recent Developments, ed. Christian W. Thomsen and Angela Krewani

(Axel Menges: Stuttgart/London, 2005)

includes: "The Digital World Picture"

Film Production Theory

(State University of New York Press: Albany, 2000).

Film Quarterly Forty Years - a Selection, ed. Brian Henderson and Ann Martin

(University of California Press: Berkeley, 1999).

includes: "Through the Looking Glasses: From the Camera Obscura to Video Assist."

Articles:

CIneaction - Thirty Years on Film, Last Issue 98, (2016).

"From Film School to Film's Cool: A Manifesto"

Quarterly Review of Film and Video,Vol. 32, No. 4 ( 2015).

"The Dismantling of the Fourth Wall"

Quarterly Review of Film and Video,Vol. 31, No. 6 ( 2014).

"The Depth of the Field"

Quarterly Review of Film and Video,Vol. 26, No. 3 ( 2009).

Quarterly Review of Film and Video, Vol. 24, No. 5 ( 2007).

"The Space of Production"

Quarterly Review of Film and Video, Vol. 19, No. 4, (Oct. - Dec. 2002).

"Far from the Bengal Lights: the Fate of the Film Artist at the Beginning of the Twenty-first Century"

Quarterly Review of Film and Video, Vol. 18, No. 2, (April 2001).

"Dogma 95: A Manifesto for Our Times"

Film Quarterly, Vol. 58, No. 4, (Summer 2005)

"The Grand Style"

Film Quarterly, Vol. 55, No. 4, (Summer 2002).

"The Digital World Picture"

Film Quarterly, Vol. 49, No 3, (Spring 1996).

"Through the Looking Glasses: From the Camera Obscura to Video Assist"

Film Quarterly, Vol.4, No. 2, (Winter 1993-94).

"Visuality and Power: The Work of the Steadicam"

Film Criticism, Vol. 20, No. 1-2, (Fall 1995).

"Pornography and the Holocaust: The Last Transgression"

"The Brainbusters: the Upside Down World of Television Wrestling"

The Spectator, Vol 7, No. 1, (Fall 1986).

"Morning Light: a Study of the Visual Signifiers Between 1895 and 1915"

The Spectator, Vol 5, No.1, (Fall 1985).

"Realism and the New Discourse"

Journal of the Los Angeles Institute of Contemporary Arts, No. 47, Vol. 5, (Spring 1987).

"B/D: the Pornography of Violence"

Conferences:

University Film and Video Association 1999

"Dogma 95 or the Virtues of Self-Imposed Limitations"

Society for Cinema Studies 1995

"Pseudocumentary: the Notion of Truth in Theresienstadt"

UFVA 1994

"Through the Looking Glasses: Identification, Detachment, Transfiguration"

SCS 1994

"Pornography and the Holocaust: the Last Transgression"

USC 1995

"L'Empreinte digitale" - Technography: Writing With and About New Media and Technology

UFVA 1993

"The Voice of the Self in Documentary Filmmaking"

USC 1993

"Aging and Hollywood" Andrus Center for Gerontology,

UFVA 1992

"For the Birds: New Camera Aesthetics"

SCS 1992

"Li Ch'Eng/Courbet/Straub-Huillet: Earth/Self/History"

SCS 1991

"Western Light: From the Sublime to Hollywood, From Heaven to Hell"

SCS 1987

"Of Cannibalism and Semiotics: the Case of Peeping Tom"

SCS 1986

"Vampires and Germany: the Jewish Connection 1915-1923"

UFVA 1986

"The Atomic Drop: Television Wrestling as a Post-Modern Text"